Writing with Music: Self-Reflexivity in the Screenplays of Walter Reisch
- Autor(en)
- Claus Tieber, Christina Wintersteller
- Abstrakt
Self-reflexivity is a significant characteristic of Austro-German cinema during the early sound film period, particular in films that revolve around musical topics. Many examples of self-reflexive cinematic instances are connected to music in one way or another. The various ways in which music is integrated in films can produce instances of intertextuality, inter- and transmediality, and self-referentiality. However, instead of relying solely on the analysis of the films in order to interrogate the conception of such scenes, this article examines several screenplays.
- Organisation(en)
- Institut für Theater-, Film- und Medienwissenschaft
- Externe Organisation(en)
- Filmarchiv Austria
- Journal
- ARTS
- Band
- 9
- Anzahl der Seiten
- 13
- ISSN
- 2076-0752
- DOI
- https://doi.org/10.3390/arts9010013
- Publikationsdatum
- 2020
- Peer-reviewed
- Ja
- ÖFOS 2012
- 604011 Filmwissenschaft
- Schlagwörter
- ASJC Scopus Sachgebiete
- Music, Visual Arts and Performing Arts
- Link zum Portal
- https://ucrisportal.univie.ac.at/de/publications/88b81b9c-887e-4ed1-9948-1dfac16dc774