Hybrid Image, Hybrid Montage

Autor(en)

Birgit Haberpeuntner, Franziska Bruckner

Abstrakt

The typology proposed in this article comprehensively illuminates the formal characteristics of live action/animation hybrid films. By reference to six film analytical categories, the interplay of animation and live action film is explored within single images as well as on the level of montage, and is illustrated by means of examples from a wide variety of films. The flexible and adaptable set of parameters comprises all animation techniques and is applicable to whole films as well as to longer or shorter sequences. A further goal is to disintegrate the boundary that is often drawn between so-called mélange films and digital hybrid films. The only requirement is that the disparity between animation and live action film must be discernible to the viewers. Ideally, the application of the proposed typology will lead to a new historical positioning of hybrid tendencies within film history.

Organisation(en)

Institut für Theater-, Film- und Medienwissenschaft

Journal

Animation. An interdisciplinary Journal

Band

10

Seiten

22-41

Anzahl der Seiten

20

ISSN

1746-8477

DOI

https://doi.org/10.1177/1746847715570815

Publikationsdatum

02-2015

Peer-reviewed

Ja

ÖFOS 2012

604011 Filmwissenschaft

Schlagwörter

ASJC Scopus Sachgebiete

Visual Arts and Performing Arts

Link zum Portal

https://ucrisportal.univie.ac.at/de/publications/052900b1-dc31-41b4-929e-00e99d18cd8c